e-book Ploughshares Fall 1992 Guest-Edited by Tobias Wolff

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Participants will leave with at least two manuscripts-in-progress, along with plenty of ideas for more stories. Picture Books II: Revision Learn to deeply revise and polish your picture book manuscript before submitting to an agent or publisher. A widely published author and an acclaimed illustrator will lead discussions in pacing, page turns, storyboarding, and visually dramatic storytelling. During this hands-on workshop, writers will be editing their own manuscripts and enhancing their skills as picture book creators.

Mary Quattlebaum Learn how to write a picture book from a successful author of more than two dozen award-winning books for children. Suggested readings, prompts, and feedback will inspire and guide writers in the class. If you want feedback, feel free to bring work to the first class typed and double-spaced and with 16 copies.

All Levels. Note: No meeting on November Clough Vampires, zombies, and halflings with swords! Participants will build a world and write in it. The first session of this workshop will be devoted to the basics of fiction and story construction. In the second session, participants will do. It also holds true that strengthening the conflict in any type of fiction will bump up the tension and turn limp, ordinary fiction into an extraordinary tale that will keep readers turning pages.

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Whether you choose to write literary fiction, mysteries, family sagas, thrillers, historical fiction, sci-fi, or fantasy—you can learn techniques for drawing readers into your tales through action, dialogue, setting details, and plot twists that make your work stand out from the crowd. Join us and leave with a handout chock full of ideas to apply to your stories. Contemporary Science Fiction Gina Hagler In this six-week class, participants will explore the themes and conventions of contemporary science fiction. The workshop will compare contemporary to classic sci-fi and discuss how and why things have changed.

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Participants will also do some writing of their own. Come to strengthen what is memorable about the people who populate your tales, or come ready to create a new character whose story commands attention. This workshop is appropriate for those working on a novel, short story, or memoir.

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Greenwood When writing a novel, you must know your primary characters inside and out. You need to understand their desires, motivations, and frustrations, their histories and their futures. This workshop will focus on the development of authentic characters. Participants will examine character as both autonomous and residing within the context of the other novelistic elements, and the challenge of creating and integrating these various elements into a cohesive and credible whole.

Participants will explore the main character s in their novels-in-progress. Having trouble getting your dialogue to sparkle? In this workshop, you will see that writing realistic-sounding dialogue has little to do with how people actually speak. Bethesda Beginner. This popular course, developed by the author of the book by the same name, will help you complete a rough draft in just eight weeks. Participants receive the encouraging guidance of professional writing coach Kathryn Johnson.

Classes will include troubleshooting discussions, a brief lecture and handouts from the instructor, in-class writing time, and the opportunity to submit portions of the work-in-progress to the instructor for individual feedback and guidance. Note: This is not a work-shopping course. Further information will be sent to registered participants in advance of the first class. This fast-paced, half-day class focuses on the ten most common mistakes and concerns, often overlooked by authors before they send their story out into the world.

Everything you do to your manuscript. Join us for a painless look at the major revision issues for fiction.

The Novel Year Susan Coll Working with a published novelist, ten participants will experience the rigor and structure of an M. Each participant will have the opportunity to present pages for critique. These can be continuous pages or revisions. Class will meet every other Wednesday from Sept. Although the class is primarily a workshop format, there will be discussions of craft and occasional exercises geared toward helping participants think more deeply about their own projects.

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These will include discussions of character, dialogue, point of view, plot, setting, and a variety of other subjects of concern to novel writing. In the spring, the focus will turn to publishing, including writing a successful query letter and synopsis. Occasional guest speakers will include published writers, a literary agent, and others involved in the publishing industry. To apply, please submit a cover letter and the first 20 pages of the project to laura.

Wednesdays Bethesda. First Pages Facing a blank page can be one of the hardest things about writing. But the beginning of your story or novel will often determine whether a reader keeps reading. Bring your first page to this workshop, or come to learn from scratch. Go all the way from getting the start of an idea to getting your book into the hands of expectant fans. The session will include time for writing.


Kathryn Johnson You have a great idea for a story. Do you dive in and just begin writing, or start by drafting an outline? Are you a born planner or a writer who loves to discover stories organically i. Understanding how to structure a well-conceived story around a main character and central conflict, while paying attention to pacing, can make the difference between a finished, publishable manuscript and an abandoned work-in-progress. Plotting provides a safety net that never robs the author of the joy of writing, and always reduces revision time.

James, and Stephen King have made this niche their empire. A number of minor lights including E.

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Benson, Rosemary Timperley, and Robert Aickman have written classic tales in their own right. In this workshop, participants will trace the tradition of the ghost story: its gothic, psychological, supernatural, technological, and weird genesis. The focus will be the twentieth and twenty-first century versions of the ghost story. Participants will read and discuss the eerie short fiction of several authors including Muriel Spark, Angela Carter, William Trevor, and Annie Proulx and do exercises to enhance their own ventures into this genre.

The workshop leader will furnish suggestions for further reading as well as a list of magazines which welcome ghost story submissions at the end. Learn the ins and outs of publishing stories in literary journals! Workshop participants will leave with a better understanding of the expectations and realities of the business of literary journals, as well as a set of tools to better their chances for publication. In-class prompts, revision, and critiques will focus this six-hour, two-part class.

Participants will work intensively on character.

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John DeDakis This workshop offers a practical point plan that takes you from the mere germ of an idea all the way through the creative process, with an eye on getting a finished book into the hands of potential fans. Participants will discuss how to transform the nub of an idea into a book-length project, populated with interesting characters, a twistyturny plot, snappy dialogue, and an interesting setting.

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Participants will also look at strategies for finding an agent and marketing the finished product.